| 1 |
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On Beethoven's Openings |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
1:26 |
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| 2 |
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Opening Phrase of the "Pastora |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
1:44 |
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| 3 |
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Musical Acorns: The Outline of |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:42 |
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| 4 |
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The "Question" in the "Pastora |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:04 |
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| 5 |
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...And Answered |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:12 |
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| 6 |
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The Opening Phrase Ends on a N |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:19 |
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| 7 |
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Starting With a Stop |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:36 |
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| 8 |
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The Rhythmic Profile of the Op |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:52 |
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| 9 |
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Phrase One, Part One |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:09 |
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| 10 |
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Phrase One, Part Two |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:06 |
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| 11 |
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The Properties of Rhythmic Amb |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
1:03 |
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| 12 |
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Phrase Two: From Meander to Ma |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:27 |
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| 13 |
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The Makings of a Conversation: |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:47 |
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| 14 |
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Repetition as a Major Factor, |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:33 |
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| 15 |
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From Soft to Loud and Back Aga |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:18 |
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| 16 |
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Mega-Repetition: Violins Play |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:29 |
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| 17 |
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But No Two Repetitions Are Qui |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:34 |
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| 18 |
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More Variation; Pitch Rises; V |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:18 |
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| 19 |
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Return to Opening Idea, but wi |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:25 |
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| 20 |
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Clarinets, Horns, Bassoons and |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:49 |
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| 21 |
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"New" Insistent Rhythm Derived |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:09 |
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| 22 |
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With the Dawn Chorus, a Whole |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:36 |
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| 23 |
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First Violins Play a Derivativ |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:32 |
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| 24 |
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Sudden Change of Key, from the |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:30 |
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| 25 |
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Arrival at the Highly Contrast |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:55 |
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| 26 |
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Unusual Properties of Second M |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
2:15 |
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| 27 |
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Rhythmic Clash Between Simulta |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
1:09 |
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| 28 |
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Winds Fall Silent as the Violi |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:30 |
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| 29 |
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Winds Answer with the Same Mor |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:51 |
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| 30 |
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Crescendo Leads To Strings' Ac |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
1:05 |
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| 31 |
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Beginning of Coda, Directly Ba |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:22 |
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| 32 |
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Strings Reiterate Small Fragme |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:48 |
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| 33 |
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A Simple, Rising Violin Phrase |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:18 |
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| 34 |
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The Nature and Function of the |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
2:22 |
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| 35 |
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The Nature of Harmonic Rhythm |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:35 |
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| 36 |
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A Typically Beethovenian Exerc |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:38 |
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| 37 |
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Repetitiousness and Magic Effe |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:42 |
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| 38 |
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Then Come Four, Almost Identic |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:07 |
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| 39 |
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Even Greater Magic, with Sudde |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:28 |
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| 40 |
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Entire Development Section up |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
1:55 |
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| 41 |
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The Development, Continued |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
1:23 |
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| 42 |
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Increased Unease and Suspense |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
2:03 |
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| 43 |
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Arrival at the Point of Recapi |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
1:50 |
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| 44 |
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Beginning of Recapitulation |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:50 |
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| 45 |
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More Beethovenian Frustrations |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
1:01 |
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| 46 |
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Harmonic Rhythm Speeds Up, Giv |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:34 |
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| 47 |
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Prevailing Mood Restored; New |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:28 |
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| 48 |
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Violins and Violas Take Up The |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:48 |
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| 49 |
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A Hush Falls, Followed by a Re |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:58 |
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| 50 |
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Clarinet Takes Up the Running |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:32 |
TRY 0.99 |